About: Artemisia Gentileschi     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WomenPainters, within Data Space : dbpedia-live.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia-live.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FArtemisia_Gentileschi

Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.

AttributesValues
rdf:type
thumbnail
sameAs
foaf:isPrimaryTopicOf
rdfs:comment
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.It’s not true people edit this* googleArtemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Jud
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists. Her dramatic style is comparable with the work of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian feminazi Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia delle Arti del Disegno in Florence and had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. , 1619]]
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of fifteen. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele.
rdfs:label
  • Artemisia Gentileschi
has abstract
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of female heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery) and Judith and Her Maidservant (her version of 1625 at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi as a young woman and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, she was regarded as a curiosity. Her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the coronavirus pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of female heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery) and Judith and Her Maidservant (her version of 1625 at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi as a young woman and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, she was regarded as a curiosity. Her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of female heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery) and Judith and Her Maidservant (her version of 1625 at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi as a young woman and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, she was regarded as a curiosity. Her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the dramatic style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele.It’s not true people edit this* googleArtemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). NOT TRUE PEOPLE CAN EDIT * Wikipedia Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists. Her dramatic style is comparable with the work of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian feminazi Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work was due to be held at the National Gallery in London in 2020, but was postponed because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Artemisia specialized in scenes of heroines and stories centered on women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th century, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work will be held at the National Gallery in London in late 2020. It was originally postponed from earlier in 2020 because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Much of Artemisia's oeuvre are scenes of featuring women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th and 21st centuries, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work will be held at the National Gallery in London in late 2020. It was originally postponed from earlier in 2020 because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is at the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th and 21st centuries, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work will be held at the National Gallery in London in late 2020. It was originally postponed from earlier in 2020 because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th and 21st centuries, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work will be held at the National Gallery in London in late 2020. It was originally postponed from earlier in 2020 because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia delle Arti del Disegno in Florence and had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th and 21st centuries, and she is now regarded as one of the most progressive and expressive painters of her generation. An exhibition dedicated to her work will be held at the National Gallery in London in late 2020. It was originally postponed from earlier in 2020 because of the COVID-19 pandemic.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism and for her skill in handling color to express dimension and drama. The story of her rape by Agostino Tassi when she was a young woman, and her participation in the trial of her rapist long overshadowed her achievements as an artist. For many years, Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the 20th and 21st centuries, and she is now regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). , 1619]] Artemisia was known for being able to depict the female figure with great naturalism, as well as, for her skill in handling color to express dimension and drama. Her achievements as an artist were long overshadowed by the story of her rape by Agostino Tassi when she was a young woman and her participation in the trial of her rapist. Among art historians, for many years Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the twentieth and twenty-first centuries. Now she is regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). , 1619]] Artemisia was known for being able to depict the female figure with great naturalism, and for her skill in handling color to express dimension and drama. Her achievements as an artist were long overshadowed by the story of her rape by Agostino Tassi when she was a young woman and her participation in the trial of her rapist. For many years Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the twentieth and twenty-first centuries, and she is now regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism, and for her skill in handling color to express dimension and drama. Her achievements as an artist were long overshadowed by the story of her rape by Agostino Tassi when she was a young woman and her participation in the trial of her rapist. For many years Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the twentieth and twenty-first centuries, and she is now regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of fifteen. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism, and for her skill in handling color to express dimension and drama. Her achievements as an artist were long overshadowed by the story of her rape by Agostino Tassi when she was a young woman and her participation in the trial of her rapist. For many years Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the twentieth and twenty-first centuries, and she is now regarded as one of the most progressive and expressive painters of her generation.
  • Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of fifteen. In an era when women had few opportunities to pursue artistic training or work as professional artists, Artemisia was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Artemisia's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her version of 1625 is in the Detroit Institute of Arts). Artemisia was known for being able to depict the female figure with great naturalism, and for her skill in handling color to express dimension and drama. Her achievements as an artist were long overshadowed by the story of her rape by Agostino Tassi when she was a young woman and her participation in the trial of her rapist. For many years Artemisia was regarded as a curiosity, but her life and art have been reexamined by scholars in the twentieth and twenty-first centuries, and she is now regarded as one of the most progressive and expressive painters of her generation. Now she is being given recognition for her talents alone and major exhibitions at internationally esteemed fine art institutions, such as the National Gallery in London.
Link to the Wikipage edit URL
Link from a Wikipage to an external page
extraction datetime
Faceted Search & Find service v1.17_git39 as of Aug 10 2019


Alternative Linked Data Documents: iSPARQL | ODE     Content Formats:       RDF       ODATA       Microdata      About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3319 as of Sep 1 2020, on Linux (x86_64-generic-linux-glibc25), Single-Server Edition (61 GB total memory)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2020 OpenLink Software