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Jerome Thoms (October 7, 1907 – November 1, 1977) was an American film editor. He edited Blondie's Big Moment (1947), Blondie's Holiday (1947), The Chance of a Lifetime (1943), A Close Call for Boston Blackie (1946), The Devil's Mask (1946), The Crimson Kimono (1959), Underworld USA (1960), Shock Corridor (1963), The Naked Kiss (1964), West of Sonora (1948), and So Dark the Night (1946). He also edited What Makes Lizzy Dizzy? (1942) and Tireman, Spare my Tires (1942). In Screaming Mimi (1958) he worked with Gene Havlick. He worked as art director in Escape in the Fog (1945).

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  • Jerome Thoms
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  • Jerome Thoms (October 7, 1907 – November 1, 1977) was an American film editor. He edited Blondie's Big Moment (1947), Blondie's Holiday (1947), The Chance of a Lifetime (1943), A Close Call for Boston Blackie (1946), The Devil's Mask (1946), The Crimson Kimono (1959), Underworld USA (1960), Shock Corridor (1963), The Naked Kiss (1964), West of Sonora (1948), and So Dark the Night (1946). He also edited What Makes Lizzy Dizzy? (1942) and Tireman, Spare my Tires (1942). In Screaming Mimi (1958) he worked with Gene Havlick. He worked as art director in Escape in the Fog (1945).
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  • Jerome Thoms
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  • Jerome Thoms (October 7, 1907 – November 1, 1977) was an American film editor. He edited Blondie's Big Moment (1947), Blondie's Holiday (1947), The Chance of a Lifetime (1943), A Close Call for Boston Blackie (1946), The Devil's Mask (1946), The Crimson Kimono (1959), Underworld USA (1960), Shock Corridor (1963), The Naked Kiss (1964), West of Sonora (1948), and So Dark the Night (1946). He also edited What Makes Lizzy Dizzy? (1942) and Tireman, Spare my Tires (1942). In Screaming Mimi (1958) he worked with Gene Havlick. Jerome Thoms' editing in The Crimson Kimono adds a percussive force to many of the action scenes. He worked as art director in Escape in the Fog (1945).
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