Pastors and Masters (Pastors and Masters: A Study in the first edition) is a short novel by Ivy Compton-Burnett published in 1925. Called "a work of genius" by The New Statesman, it was the author's second novel but the first in which she introduced the characteristic style of clipped, precise dialogue that was to make her name. It is largely a character study, dealing with themes of tyranny, female subservience and unconventional sexuality within the setting of a boys’ preparatory school.
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| - Pastors and Masters (Pastors and Masters: A Study in the first edition) is a short novel by Ivy Compton-Burnett published in 1925. Called "a work of genius" by The New Statesman, it was the author's second novel but the first in which she introduced the characteristic style of clipped, precise dialogue that was to make her name. It is largely a character study, dealing with themes of tyranny, female subservience and unconventional sexuality within the setting of a boys’ preparatory school.
- Pastors and Masters (Pastors and Masters: A Study in the first edition) is a short novel by Ivy Compton-Burnett published in 1925. Called "a work of genius" by The New Statesman, it was the author's second novel and the first in which she introduced the characteristic style of clipped, precise dialogue that was to make her name. It is largely a character study, dealing with themes of tyranny, female subservience and unconventional sexuality within the setting of a boys’ preparatory school.
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| - Pastors and Masters (Pastors and Masters: A Study in the first edition) is a short novel by Ivy Compton-Burnett published in 1925. Called "a work of genius" by The New Statesman, it was the author's second novel but the first in which she introduced the characteristic style of clipped, precise dialogue that was to make her name. It is largely a character study, dealing with themes of tyranny, female subservience and unconventional sexuality within the setting of a boys’ preparatory school.
- Pastors and Masters (Pastors and Masters: A Study in the first edition) is a short novel by Ivy Compton-Burnett published in 1925. Called "a work of genius" by The New Statesman, it was the author's second novel and the first in which she introduced the characteristic style of clipped, precise dialogue that was to make her name. It is largely a character study, dealing with themes of tyranny, female subservience and unconventional sexuality within the setting of a boys’ preparatory school.
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